When I get a design past the initial “Is this even going to work?” stages, and my first set of sharpie-and-index-card prototypes have become illegible from all of my edits, I like to make a nicer-looking prototype. So, I open up Photoshop and let the right side of my brain play around for a bit.
For me, having a nicer-looking prototype on a design that is progressing does a few things:
- It helps me get a better grip on exactly what information needs to be presented and how it can be laid out in a way to best inform the player.
- It may help players plug-in to the theme in a stronger way. (Example: if I’m exploring an island for pirates’ treasure, it helps me enjoy the experience more if I see actual sand and grass and jungle instead of a hand-drawn outline on white paper with letter codes or icons to represent the different terrain.)
- It does something good for my creative process to see a nicer, cleaner, new prototype at each major step along the way.
The first nicer prototypes get the inkjet-printout treatment at home. But once I have it to where I plan on doing formal playtesting locally or at a Protospiel or other gaming con, then I usually order a nicely produced set from TGC. In any of these cases, while I still am developing the design, I have no qualms breaking the sharpie back out and marking things up as needed.
My first step is usually picking out background textures for any cards and/or boards needed in the game. These backgrounds give you a place to project an overriding feel for the theme, and a way to let the information a player needs standout. I find myself using 3 main sources for my background textures, listed here (saving my favorite for last) … Continue reading